for the first in a series of reinterpretations of material from linkwood s superb expressions album, firecracker recordings has turned to chicago deep house veterans ghosts of the sky (aka perpetual rhythms chicagodeep and taelue), and fast-rising machine abusers nummer. the latter dive into an aquatic techno tip, turning the becalmed and melancholic love lost into a techno-tempo stroll through vintage carl craig chords, sweaty machine percussion, and yearning melodies. theres a warmer and heavier, if surprisingly stripped back, feel to ghosts of the sky s version of object, with spluttering electronics and sumptuous chords stretching out over a rich synth bassline and hissing, cymbal-heavy groove.

limited edition killer violet 7 inch vinyl. crab cake records teams up with ttw, bringing you a deep cut non skip 7-dj scratch tool, with a mixture of classic old school samples, zombie quotes and unique 80 s retro noises/samples.

border-breaking album by international collective featured shawn lee - london based american producer/composer/musician - and the soul surfers - heaviest russian soul/psych funk band. the result is boundless soul and psychedelic funk music from the future. deep in raw grit and musical exploration. this album crosses both: genre, age and world politics. it proves that music is truly the international language and it’s not where you’re from, but where you’re at.

the wonderfully monikered golden flamingo was one of many labels operating alongside the now legendary p&p records imprint in late 70 s to early 80 s nyc. fans of deep disco, raw gritty soul and rare as hen s teeth electro and early rap know of the cult status of it s brief but influential output and in recent years the p&p label and it s associated entities have enjoyed further popularity through the exposure of it s music by some of the world s most respected dj s and selectors, and rightfully so. an amazingly lo-fi, endearing and overtly underground aesthetic runs through all of the labels, from the label artwork down to the music itself. this style is evident on margo williams epic god save and protect all the children , a colossally rare 12- from back in 1980.

neil landstrumm debuts on uttu with 2 original deep bleep techno jams… on the flip he collaborates with brain rays for 2 incredible electro kuts.

waehlscheibe from switzerland has thought of something really special to celebrate release #10 and has created a double vinyl compilation that assembles many of the label s regulars together with a few fresh faces. the prevailing sound between deep and dubby techno and dub house refects the label s long-time dedication to this particular version of electronic music. thus waehlscheibe has established itself as more than an insider s tip for those who cherish grounded quality and timeless sounds. from the dub techno sounds of novio dub tribe, patrizio gabrielli and s&ro via sophisticated dub house from mend, anton kubikov and alessandro crimi to the housey afairs of a.s.cudia and drei farben house the compilation x showcases a fne variety of contemporary house and techno with subtle twists and quite a few sonic surprises.

musik krause 46 and 47 bundle, excellent deep house, cheap price

inhale exhale records is back with the 4th strike of the germany based house label. this time with the 1st solo ep, and its limited to 400 pieces. please welcome jesse bru to the inex family. this record brings all the vibes that you need for good moods, deep sounds and well selected samples to pumpy house nuggets back to hip hop. jesse give us this instant classic. enjoy

parallel berlin head daniela la luz returns to her home away from home, housewax with a few friends to rework her modern classic, -did you ever-. originally released in 2014 -did you ever- was an instant classic amongst decerning house heads, but it was when detroit legend, moodymann dropped it as closing track on his dj kicks compilation the year later. the light well and truly spun onto la luz and her sublime approach of house and techno. now to kick off 2018 housewax have invited virgo 4, dah ruh and cinthie to offer their spin on -did you ever-. together they each offer 3 unique takes from house to deep techno, yet managing to stay true to the soulful flavor of the original.

after first appearing on the label back in 2016, florence-based italo house stalwarts minimono return to vibraphone with another selection of illustrious dancefloor gems for subtler moments in the dance. oldest friend is an airy, dreamlike track laden with upper register chords, tones and fx pinging around in a reverie of deep house delight, while questions- gets locked into a loose, swinging groove with some mysterious pads swirling around the middle distance for added atmosphere. some day is a more rugged affair that bumps and wriggles in all the right places, while eleven days explores broken beat territory without losing the hazy atmosphere that permeates the ep.

a collaboration between label boss mark seven and dance music legend boyd jarvis (r.i.p.) on keys here. deep house cuts with that chunky disco-dub sound, breathing echoes of ma foom bey and man friday amongst others. dope!

too rough 4 radio debuts their vinyl compilation with an electric assortment of soundscapes comprising of florian’s glittery disco tune with a tangy twist on ‘keep on’, littlelake’s lush transient deep house number on ‘lionel’, clocked devices scattered drone zooming across the cosmos on ‘intergalactic’ and all rounded by lootbeg & blinds crunchy heady-topper on ‘fuzzylogic’ .

the 4th edition in the acclaimed sterns edits series sees curator ben gomori open up the sterns music catalogue to other keen re-editors with brownswood / worldwide genius smbd (aka simbad) the first to step up to the plate. nigeria s segun adewale is sometimes referred to as the crown prince of jùjú music, but in the 1980s he developed a sound all of his own, which he called yo-pop. a mixture of jùjú, funk, reggae, afrobeat and jazz, its vibrant melange can be heard on his 1986 record ojo je , where both these originals are taken from. smbd delivers too superb flips of the title track a gritty funk-fuelled disco version with live bass, and a deliciously deep dub-house version. gomori, meanwhile, takes the haunting atewo-lara ka tepa mo se for an extended hypnotic, tribal trip. the stunning artwork comes from kofi ankobra, the son of radical white south africans who grew up in ghana and studied art at oshogbo, nigeria the place adewale himself was born. sterns edits is an official collaboration between african music stalwarts sterns music and londons ben gomori.

david mayer’s career and background is marked by a desire to keep moving and experiencing new perspectives. having finally settled in berlin, the german dj and producer has built up an enviously diverse back catalogue on labels such as connected frontline, objektivity, gruuv, audiomatique and keinemusik. with his first release on acid pauli and nico stojan’s ouie label, mayer brings his trademark groove to the fore once more. ‘the call’ is a mid tempo chugger built around a kick, clap and 808 blip, before a more organic groove develops. the slowed down chants and wigged out synth line take the vibe into afro cosmic territory, without losing the original energy. ‘sooner’ is a little more urgent - a crisp, forward leaning rhythm and a deep, subby bass lead the way, before another frazzled synthesiser takes us on a melodic walkabout. ‘black queen’ is another example of mayer’s slick drum programming, keeping things zesty on the dance floor but with acres of space to lose yourself in.

john digweed s long standing live in, series continues to tokyo this time we head to tokyo and to one of the best underground clubs out there. contact is an amazing basement club with a low ceiling, minimal lighting and an incredible sound system. john digweed this 3-part vinyl sampler, out via bedrock, captures elements from across digweeds set from the deep to the peak and everything in between. vinyl one see s tracks from marc romboy, molecule, denis horvat and luke brancaccio & simon berry versus john digweed & nick muir.

john digweed s long standing live in series continues to tokyo this time we head to tokyo and to one of the best underground clubs out there. contact is an amazing basement club with a low ceiling, minimal lighting and an incredible sound system. john digweed this 3-part vinyl sampler, out via bedrock, captures elements from across digweed s set from the deep to the peak and everything in between. vinyl two sees tracks from marc romboy, robert babicz and luke brancaccio & simon berry feat. jjd.

john digweed s long standing live in series continues to tokyo this time we head to tokyo and to one of the best underground clubs out there. contact is an amazing basement club with a low ceiling, minimal lighting and an incredible sound system. john digweed this 3-part vinyl sampler, out via bedrock, captures elements from across digweed s set from the deep to the peak and everything in between. vinyl three see s tracks from renato cohen, edit select, jimmy van m & juan hansen and pascal feos.

inner sunset recordings s homero g. is at it again with another deep house 4-track e.p., only this time serving up an emotionally unique and introspective angle never before heard on the isr imprint. this landmark 10th pressing from isr (entitled the -companionship & solitude e.p.-, cat no.: isr1210), takes listeners on a gentler journey into the realm of house music via soft pads, sentimental keyboard progressions, atmospheric organs, wispy flutes, and delicate vocal and oceanic samples. track a1 s -touch me (mess of emotions mix)- passionately, and intensely ushers listeners upwards towards a flourishing climax and back, via classic house piano chords and organs. while in contrast, track a2 s -touch me (low top dub)- applies all the themes and elements of a1, but in a steady and unwavering manner, to create an evenly sustained sense of well-being throughout. track b1 s -a companion s stroll- exudes happiness with its catchy flute riff, organs, and percussion, while b2 s -polyedrum tide s lament- uses the sounds of swelling ocean shores to entrancingly lull listeners into a hypnotic state of bliss and clam. packed full of emotion, ambiance and aura, this record is a truly unique addition isr s catalog and is not to miss!

inner sunset recordings is at it again with another slammin 4-track 12- vinyl e.p. that showcases the label s distinctively deep sound and classic roots, only this time with a modern twist! scheduled for release in april of 2018, squares there – -contemporary tools e.p.- (isr1209) takes isr s catalog to new territories with a more tech-oriented vocabulary of sounds and an array of modern production techniques never before employed on an isr release. for the classy and deep old-school heads out there, -she s shopping drunk again- (a1) is sure to be an instant pleaser with its jazzy vibraphone solos, soft organ lines, and walking bassline. -my sisters- (a2) meticulously utilizes repetition, major chords, and sub basses to blissfully numb and entrance the floor. side b s two versions of -hard press-, with their chunky beat and heavy bass, are an interesting study in variations on a theme. the -light mix- (b1) serves up radiant pads and swirling synth stabs, and the -dark mix- commits to taking the listener on a brooding, introspective, and psychedelic journey. this e.p. is not to be missed, as an awesome angle on the isr soundprint – one that seamlessly fits in with the rest of the catalog!

texas native demarkus lewis is up next on the great d3 elements label. this time, demarkus brings his signature diverse house style on this release, which features tracks from his mental notes album that only came out digitally in 2011. luckily for lovers of vinyl, d3 is putting out three of the gems from that release. first is the upfront house of without pause that is full of demarkus bumping drums, masterful combination of spacey, detroit style electronics and swirling chords that will get anyone onto the dancefloor. lady in pink also features some wonderful spacey chords, but is a more downtempo, broken beat type of affair, resplendent with computer bleeps. over onto the b side, demarkus takes us into a more spiritual and deep territory, with behind closed doors (afro main mix). the afro rhythms coupled with eman s spoken words turn this into a track that do wonders with a heaving, sweaty dance floor in the early hours. another winner for the d3 elements label.

while ant plate has been insanely busy with a plethora of aliases on a multitude of labels recently, he s still found time to turn out some surefire heaters in the studio with long time sparring partner matt hunt. this release marks the first appearance of rhythm plate on vinyl only, but it s worth the wait. there s an epic scope to apathetic empathy, which features bashy 80s drum hits and squelchy bass front and centre, but soaring vocal licks and piano stabs that widen the track out beautifully. observed privacy is a more emotive cut laden with illustrious keys, abuser experience is a bright and bashy deep house belter and prototype night takes things down a slinky, acid-speckled route. rhythm plate still serving up the house music realness after nearly 20 years.

tabernacle aren t as known for their reissue work, but here they ve made an exception to shine a light on a truly astounding hidden gem lost in the dry ice haze of the early 90s. phuture classical appendix a originally came out on cassette in 1992 on drome tapes in the netherlands, showcasing a low key selection of artists exploring the limits of deep, dark techno and house. now spread across three 12inch releases, these treasured curios now get the widespread release they deserve, leading in with the haunting self-titled track from paradize disowned before the gritty techno throb of gee lee by dj zero one. considered in their execution and immensely evocative of the underbelly of early rave culture, these releases are ones that discerning old-skool heads will not want to miss.

salsoul records present a crate digging anthology of the funkier side of their catalogue - an essential collection of dirty new york grooves from the salsoul stable . primarily a salsa label on it s inception, salsoul delved into numerous styles throughout it s existence but this killer selection focuses on the rawer sounds. featuring artists such as the labels legendary in-house orchestra, carol williams, destroyers, gary criss and joe bataan and many more this amazing compilation features those slower, more grooved out jams that have been lurking in the recesses of the vaults. take the mighty rattle snake by carol williams, a lesser known, four to the floor strutting piece of dancefloor bliss that delivers and then some, or the immense, spaced-out deep soulfulness of the destroyers tom moulton produced rarity slave of love , everything is here that the underground dance music lover could ask for and then some....... all graced with that salsoul qulaity and touch. essential. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco.

dusty archives, the backrooms of record stores, private reel to reel stashes, master tapes - these are the environs of the dynamic range experience. dynamic range is a new label focused on unearthing deep soul, funk and disco jams that continue to resonate with todays dancers and dj’s. time spent scouring the bowels of the majors and independents has unsurprisingly resulted in numerous gems being added to the dr wants list. high quality, fully licensed reissues are the order of the day, always taken from the correct master source and re-presented to hungry record heads the world over. to repeat, this is a fully legit operation avoid the sharks at all costs! the debut release on the label is a real doozy new birth, the mighty detroit funk outfit who operated from 1970 onwards are first up to bat. their late 70s rarity deeper is a real monster lifted from their killer behold the mighty army lp. produced by legendary motown stalwart frank wilson this is some straight-up disco-fied funk for sure! one of those solid, mid-tempo groovers that just ignites a dance-floor at any time, any place. side-a is the glorious full-side disco mix and were treated to the full instrumental version on the flip. no lazy edits here, just the full funk and nothing but the funk, just as the group intended! this is one of many soulful treats that dynamic range will be presenting in the coming months, stay tuned for more - aint it something?.

excellent classic blaze deep house ...

the daydream family is growing up, following a solid fourth various, this fifth release welcomes a new talented quartet from all over europe: casey spillman, worker union, noah skelton and stevn.aint.leavn.

the recipe is unchanged: spacey pads, galactic synths, warm rhythm and strong beats for a dreamy trip across house music. once again, all is gathered to make a perfect four tracker that grooves between deep, micro and techno.

sweet floating deep house with breakbeat flavors

the alishan forest railway is a 86 km network of narrow-gauge railways running through the forests of alishan mountain in chiayi county, taiwan. during the spring months, the iconic red train passes through an endless array of cherry blossoms and small, untouched villages. this peaceful scene is set in contrast to the stories told by locals, of wandering spirits seen deep in the forest. the spirits are believed to be the lost souls of the 32 passengers, who perished in the tragic derailment of the train in 1981. burn a candle in remembrance when you play this record at the club.

croatian producer ilija rudman returns to classic with his funk-drenched ‘lovers change minds’. well-known for his distinctive analogue-disco sound, the record’s delivery on 12” vinyl comes as a perfect pairing. he remains reverent to his well-rounded retro style with heavily filtered soft vocals complimented by a deep 70s-centric bassline. hot toddy’s bass-focused mixes come laden with electric guitar riffs and synth flares for an even slicker groove on ilija’s smoothly minimalist masterpiece.

one of detroits true talents today, amp fiddler joins forces with grammy winner louie vega hitting you with some funk deep house on vega records. amp fiddler is the quintessential singer / musician who has played in the seminal band parliament with george clinton, and has had his own band for years now. louie has always wanted to work with amp since first meeting him at the montreaux jazz festival when amp and his band and elements of life were on the same bill on the worldwide stage. finally coming together, amp reaches out to louie for a remix and the result is a beautiful soulful song written and produced by amp fiddler. the remixes by louie vega combining deep house sounds with the funk synths played by axel tosca. there’s one version where amp did more lead vocal overdubs and adlibs, as well a funktified synth solo version which gets immediate response when played. the four versions on 12” vinyl lend itself to different moods and are sure to bring you a dancefloor or house party on fire!

coming out in late july from the man who brought you e ruscha v s -who are you- to great acclaim earlier this year is secret circuit s 2nd ep for invisible inc, the cryptically titled -out of body interiors-. featuring four exclusive new tracks of the acid drenched, dubbed out, tropical disco variety mr ruscha, as always, delivers a sonic palette you won t find on many other imprints: from the turbo-charged homage to early 90s bleep meets indie rave euphoria of stomping ground, through the chugging, motorik groove of crazy ways which sounds like it s blasting out full volume from a smoke-filled space patrol hovercar gone rogue then flipping over to side b and waking up in mali, andromeda in a haze of syncopated percussion, other-worldly guitar licks and a billion new synthetically generated sounds that you may strongly suspect you just imagined.....to finally the feather drop which brings entirely new meaning to the word deep and which fires technicolour sounds of profoundly immense variety at the synapses at a rate of knots not many other producers can keep up with as all the while the bass holds court and keeps things deep rooted and dub heavy. secret circuit (aka eddie ruscha v) has had a plethora of releases on an equally expansive plethora of labels under such names as the parels (lal lal lal), blasé (esp institute), food of the gods/laughing light of plenty (whatever we want), odd numbers ( no label), shadow kids (el diablo s social club) and of course as secret circuit (beats in space, emotional response and invisible, inc.)

....and we d sleep out under the stars, didn t even need a blanket... victor valiant is a musical pairing of two friends who ve been meaning to go in the studio for many moons, but life has always got in the way. keith tenniswood and suade bergemann give you seven tracks of sublime funk and sonic experiments coming straight from suade s mega studio deep in the northeast of england. recorded last year over two 3 day sessions, it’s the next release on keith s asking for trouble label aft003. cut and mastered between the two producers they have executed every level of production for this double pack vinyl release. asking for trouble is keith tenniswood (radioactive man’s) recently birthed label and home to the emissions from his studio and treasured time spent with producer friends. suade bergemann is a newcastle-based producer, mastering engineer and founder of techno label adapted vinyl. he collaborates with steve legget and is a resident at free rotation.

following on from angophora s beautiful long player, ken oath is back with another full length lp from low flung. friends of the label will note that this is his third release for ken oath, and it s a fittingly mature and expansive statement for a debut lp. perhaps mature is the wrong word here, as all his brilliant ideas are backed up by a sense of whimsy that betrays his playful side. the music strikes a balance between styles and spaces that could perfectly soundtrack moments at home, in the club, and in the liminal spaces between. danny s efforts at writing dance music still contain the idiosyncratic approaches of his ambient works: the deadly deep subs and endless echo spirals on -rising damp- sounds like someone trying to piece together a drum & bass track after an off-hand conversation about the genre. he s transmuted the propulsive energy of jungle into something no less dynamic, full of stops and starts and sonic pressure but flush with space. -tarp climber- is at heart a rollicking digi-dub. the more ambient moments of the lp are equally captivating - the glassy tones of -frozen coat- sound like a space-age ensemble soundtracking a floating lounge on a suite of glass instruments, while -ocean grove- blends field recordings and dreamy synthesizer melodies to create an uncanny sense of place that unroots you from wherever you re listening. there s a heavy emphasis on danny s collaborators as well - the cold emotion duo is reprised on the spacey ‘hills hoist’. closer -bacchus marsh- is a collaboration with prophets, a cross-state ensemble that defy any easy categorisation. the music here flirts with jazz and minimalism but with a dubwise production aesthetic to produce something that recalls khan jamal s visionary -drum dance to the motherland- in spirit and practice, but this whole album sounds as otherworldly and one-of-a-kind as the aforementioned lp.

julius is finally back on his own home smallville with along the coast- its the first solo 12 since his mesmerizing flocking behaviour album in 2014. after remixes for telfort and lerosa recently, a 12 together with moomin on his closer label and some smallpeople material last year plus a surprising non-electronic album with his band-project tonight will be fine (together with abdeslam hammouda) on japanese label mule musiq, julius is now back on his own imprint, delivering 3 deep cuts for the dancefloor. next to running the smallville record-store and -label, julius started his own club-night and accompanied stamp-label down by the lake (catalogue number 03 is out now) in freiburg, plus hosting the smallville & friends thursday at legendary golden pudel club in hamburg every month as a smallpeople residency together with just von ahlefeld. they also put out record no. 5 on smallville-offshoot fuck reality recently. watch out for more good things to come this summer.. as always along the coast comes with a full cover artwork by stefan marx. all tracks are written, produced and mixed by julius steinhoff mastering & vinyl cut by helmut erler, dubplates & mastering artwork by stefan marx distributed by wordandsound

excellent deep groovin (summer feel) house

what do we have here? well this is the sixth record from the regelbau crew - ‘club v-bee’. buying this record means you will score four cuts. the opening track is manmade deejay making his first solo appearance on the label with ‘club v-bee’. this one is already approved by the deep house community. on the inner cut of the a-side, manmade teamed up with the infamous hi mount on ‘impresionante’. flipping the record you will find ‘friends & strangers’ by dj sports making his second solo appearance on rb. hi mount round up the record with their heater ‘in the heat’ straight out of the cave in hojbjerg (r.i.p).

not content with already steering the vigenere and oscillat labels and appearing regularly on will & ink and lazare hoche, malin genie has launched his own self-titled label as a vessel for his most intriguing twists on the house and techno template. the record strides in with the tracky tones of hypothetical island of stability, a feast of micro pops and squiggles strapped to a rock solid beat. fudeoroshi is more overtly minimalist in nature, using the barest of ingredients to make a potent dancefloor cut. bulbocavernosa opens up the filters and lets a little nasty acid fun and games into the mix, and then mer neith it es rounds the record off with a soaring slice of melodic, deep techno that stands confidently apart from the rest of the tracks.

very limited album discs available now!
this is the first album oscar mulero has released under his own name, after two acclaimed lps under the moniker trolley route. well known for his skills as a hard-edged, raw and floor-orientated techno dj, his productions go far beyond, digging deep into the intricate landscape of intelligent techno, floating moods, reminiscent atmospheres, harmony and detail.
grey fades to green is the affirmation of his maturity as a producer, using both hardware and software in the pursuit of a highly coherent and diverse album.

within “mora tuga”, rumtum creates an experience of deep textured beats using himself as the sample source. using haunting chants, woodwinds, percussion, guitars and synthesizers he layers sounds that conjure a sort of fog that lingers somewhere off in the distance. welcome to the rainforest on another planet, where beautifully emotive instrumental compositions head-knod as easy as they thought provoke. much like his print making and illustration work, rumtum s music can be revisited again and again to find new moments of interest and inspiration.

fresh french deep house label with four different titels from david duriez , ark , giuseppe cennamo , akyra ...

ron trent returns with his gemini jazz entity on his music & power imprint with 2 deep spiritual tracks the tantra & hard & soft. the tantra is a preview of the upcoming album gemini jazz. hard & soft is a hint of the future album whatthefckdoyouknowaboutdeephouse

the brooklyn duo of bryce hackford and joakim teamed up again, this time as joyce, 2 years after their debut as jhack. a two track 12inch featuring a thumping and heady psychedelic deep house groove, in a classic prescription zone, on the a-side (bubbles). on the b-side, die siesta is a tribal ode to the balearic art of napping, a moody live percussion improvisation jumping down the bpm and floating on filtered piano chords.

“finding people” is the newest recording from croatian amor, the morphing alias of loke rahbek. with last year’s croatian amor album, “love means taking action”, we witnessed a transformation in the project, its wide-eyed gaze having stared deep into the news feed, reengineering its heartstrings. finding people takes this even further. white vinyl presented in a clear pvc sleeve.

“the water we drink” is the debut album from khalil, a close confidante of posh isolation, and naturally a project close to the heart. with an iridescent shower of auto-tuned vocals and encrypted synthetic forms, khalil presents a luminous route into a future of cadences pitched to a crushing intensity.

rephlex producer eod drops a mind-bending fifteen track debut album on bjarki’s bbbbbb this june. born in trondheim, norway, stian gjevik is a rarity amongst electronic music producers. possibly the most interesting musician representing the braindance and idm sounds of today, eod’s productions have landed on labels like we&#769,,,,me&#768,,,, records, sleepers, cpu, 030303 and aphex twin’s highly respected rephlex. dropping on bbbbbb last year, his ‘swurlk ep’ sold out within a month and received support from aphex twin, bicep, bjarki, nina kraviz and many more. “it s the album i ve wanted to do since i started making music - feels like a dream come true. inspired by what got me into electronic music in the first place, jungle and early ‘00s warp/rephlex -drill & bass--type stuff, but shifted through my own eod-style lens. oh yeah and loads of lovecraft references because i love those.” - eod a must-listen for fans of sublime synth-driven cuts, otherworldly beatless affairs and frenetic, machine- driven jams, eod’s ‘named’ is a refreshing and highly anticipated debut long player from a true master of his craft.

the chicago edit kings are back with 4 ultra deep disco cuts chopped for your listening pleasure...strong stuff enjoy! limited release...

produced, arranged and mixed by &#150, dario fimiani, flavio cuva, giuseppe zanin, jamie lewis and tibor lörincz for u.m.m. records in the 1993 . 5 house/deep/happy vibe tracks...flash forward represses one of the most played record in the underground house scene of the 90s, five different high quality tracks for an ep that after 24 years its still an absolute gem. enjoy !

ltd coloured edition ... produced, arranged and mixed by &#150, dario fimiani, flavio cuva, giuseppe zanin, jamie lewis and tibor lörincz for u.m.m. records in the 1993 . 5 house/deep/happy vibe tracks...flash forward represses one of the most played record in the underground house scene of the 90s, five different high quality tracks for an ep that after 24 years its still an absolute gem. enjoy !

1991 production by flavio vecchi and ricky montanari for ethos mama production and irma records rimini , riccione and all the - riviera - always been the place where there is the highest concentration of clubs and ethos mama was definitely one of the most underground of that period ... ricky & flavio imposed their unique sound and realized one of the most played and danced deep house record ever! limited 500 copies black vinyl big reissue on flash forward .